Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 6
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but ...
... appears snowy ; for science this similarity is not even interesting . If we have recog- nized a shape as one fitted for a practical as one fitted for a practical purpose , and our interest is no longer in realizing this shape fully but ...
Pagina 146
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
David Wight Prall. sounds , shapes and rhythms , appear as qualitative charac- ters of material things or of physical ... appears at all only as content for mind or spirit . But more than this , without such content spirit or mind would ...
Pagina 171
... appears . In any case ęsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that aesthetic theory as such would take as ...
... appears . In any case ęsthetic analysis as presented in these chapters , guided by the unitary feeling of specific works of art , appears to be the actual knowledge of works of art in general that aesthetic theory as such would take as ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words