Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 72
Pagina 90
... apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own ... apprehension of any determinate form . The intention that is artistic - and apprehension must follow this if it is to be ...
... apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own ... apprehension of any determinate form . The intention that is artistic - and apprehension must follow this if it is to be ...
Pagina 155
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
... apprehending the particular determinate whole in question . In another sense the dis- criminated elements as apprehended in their structural re- lations constitute this whole , so that actually apprehending the qualitative determinate ...
Pagina 157
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
... apprehend the dilapidation at all . And unless we have apprehended all of them quite definitely , we have not apprehended this particular dilapidation , but only some marks that lead us to think dilapidation , or the word di- lapidation ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words