AEsthetic Analysis |
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Pagina 19
When all of the sensuous elements are apprehended in just those relational
structures which they constitute by virtue of ... established in their native order ,
this grasp would not be the concrete apprehending of an ęsthetic object , were it
not ...
When all of the sensuous elements are apprehended in just those relational
structures which they constitute by virtue of ... established in their native order ,
this grasp would not be the concrete apprehending of an ęsthetic object , were it
not ...
Pagina 155
The work of art is ęsthetically adequate to just the degree to which the
apprehension of the constituent elements in the ... In another sense the
discriminated elements as apprehended in their structural relations constitute this
whole , so that ...
The work of art is ęsthetically adequate to just the degree to which the
apprehension of the constituent elements in the ... In another sense the
discriminated elements as apprehended in their structural relations constitute this
whole , so that ...
Pagina 157
We apprehend the sort of shape and relative size that feel like a human dwelling
place , warm with human comfort and ... Some of these formal details we must
have apprehended in it , however , if we apprehend the dilapidation at all .
We apprehend the sort of shape and relative size that feel like a human dwelling
place , warm with human comfort and ... Some of these formal details we must
have apprehended in it , however , if we apprehend the dilapidation at all .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole