Esthetic Analysis |
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Pagina 28
It is often supposed that great artists are not endowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus ...
It is often supposed that great artists are not endowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity , can grasp the spiritual essence thus ...
Pagina 141
They are not original but derivative in the plain sense that instead of taking their origin in an artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a structure of a given ...
They are not original but derivative in the plain sense that instead of taking their origin in an artist's own peculiar purpose , the purpose that defines activity as artistic , their function is the exhibition of a structure of a given ...
Pagina 161
And the poet , like other artists , depends not on merely conventional technique and media , but on so modifying technical ... and original feelings that stir vaguely in all men , but in the artist reach their consummation in technical ...
And the poet , like other artists , depends not on merely conventional technique and media , but on so modifying technical ... and original feelings that stir vaguely in all men , but in the artist reach their consummation in technical ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole