Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 96
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
... aspect of verse structure . That verse has a temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time ...
Pagina 113
... aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of sense as ...
... aspect of musical rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of sense as ...
Pagina 200
... aspect that is the same in loudness of sound and brightness or saturation of color . In fact loudness in the æsthetic apprehension of sound is an elementary character . From some other point of view than that of asthetics , that of ...
... aspect that is the same in loudness of sound and brightness or saturation of color . In fact loudness in the æsthetic apprehension of sound is an elementary character . From some other point of view than that of asthetics , that of ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words