AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 44
that constitutes and characterizes every field of knowledge in its explicit formal
aspect . ... the nature of these , as constituted of sensory elements in relation ,
then we must abstract such aspects of quality as are clearly relational , and
survey the ...
that constitutes and characterizes every field of knowledge in its explicit formal
aspect . ... the nature of these , as constituted of sensory elements in relation ,
then we must abstract such aspects of quality as are clearly relational , and
survey the ...
Pagina 54
And just as this is nothing derogatory to them , since it is true of all the aspects of
concretely experienced data , so it is fairly absurd to speak as if qualitative
elements and orders were less fundamentally significant in composition than
spatial ...
And just as this is nothing derogatory to them , since it is true of all the aspects of
concretely experienced data , so it is fairly absurd to speak as if qualitative
elements and orders were less fundamentally significant in composition than
spatial ...
Pagina 139
It should however be clear that this classification is rather a concession to
customary notions , which differentiate space and time from other aspects of
things , than a systematic difference . In the sense in which pitch is an order of
sounds , time ...
It should however be clear that this classification is rather a concession to
customary notions , which differentiate space and time from other aspects of
things , than a systematic difference . In the sense in which pitch is an order of
sounds , time ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole