Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 44
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
... aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are peculiar to certain qualitative aspects of sensuous material ...
Pagina 54
... aspects of concretely experienced data , so it is fairly absurd to speak as if qualitative elements and orders were less fundamentally significant in composition than spatial and temporal elements and forms . Our vastly greater ...
... aspects of concretely experienced data , so it is fairly absurd to speak as if qualitative elements and orders were less fundamentally significant in composition than spatial and temporal elements and forms . Our vastly greater ...
Pagina 139
... aspects of the world than pitch , which is confined to the region of what is named as one qualitative realm , that of sound . It is within the abstract temporal order that we made out the general nature of the strictly temporal aspects ...
... aspects of the world than pitch , which is confined to the region of what is named as one qualitative realm , that of sound . It is within the abstract temporal order that we made out the general nature of the strictly temporal aspects ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words