Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 99
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
... attention as indicating not merely the interval between the two sounds , but also a second interval , following the second pronouncing of one . And this second interval will be felt as of the same length as the interval following the ...
Pagina 102
... attention . The recurrent indicator or beat marks off the recurrent interval along the single dimension of time and allows us to grasp time as divided into a number of in- tervals of time , time as a built - up structural form out of ...
... attention . The recurrent indicator or beat marks off the recurrent interval along the single dimension of time and allows us to grasp time as divided into a number of in- tervals of time , time as a built - up structural form out of ...
Pagina 147
... attention to a given content in two ways only , as its condition , which is previous activity making it capable of complete concrete grasp in any given case , and secondly , as the dependence of any such unification upon cutting off ...
... attention to a given content in two ways only , as its condition , which is previous activity making it capable of complete concrete grasp in any given case , and secondly , as the dependence of any such unification upon cutting off ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words