Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 79
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
... basic scale structure ; the nature of the pro- duction of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum that offers those infinite structural possibilities that have been ...
Pagina 83
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly we were acquainted with all the works of all ...
... basic patterns in the more regularly recognized kinds of intelligible form . For general æsthetic theory we must limit ourselves here . We can- not in any brief account , even if — impossibly we were acquainted with all the works of all ...
Pagina 93
... basic abstraction totally within the pitch order that constitutes the pattern of our musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has ...
... basic abstraction totally within the pitch order that constitutes the pattern of our musical scale . Spatial order and basic spatial patterns have been pretty fully recognized and used in analysis , though their fundamental nature has ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words