Esthetic Analysis |
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Pagina 79
The fundamental pitch continuum is one necessary condition of this basic scale structure ; the nature of the production of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum ...
The fundamental pitch continuum is one necessary condition of this basic scale structure ; the nature of the production of a musical sound , with its partials , is another . And it is this natural selection out of an ordered continuum ...
Pagina 83
With this once emphatically stated , then , and examples given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in ...
With this once emphatically stated , then , and examples given first of the intrinsically qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go on to basic patterns in ...
Pagina 93
That would be reason enough for spending the effort here to discriminate some of the basic temporal patterns that are integral to verse structure and that constitute at least one specifically distinguishable aspect of what is loosely ...
That would be reason enough for spending the effort here to discriminate some of the basic temporal patterns that are integral to verse structure and that constitute at least one specifically distinguishable aspect of what is loosely ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole