Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 20
... become individualized in its felt character as a strong , powerful tree , or a torn , broken tree , or a tree bathed ... becomes the object of com- plete æsthetic response . And for the most part we are too dominantly practical to train ...
... become individualized in its felt character as a strong , powerful tree , or a torn , broken tree , or a tree bathed ... becomes the object of com- plete æsthetic response . And for the most part we are too dominantly practical to train ...
Pagina 54
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
... become purely formal as we have realized their abstractness in systematic analysis . There are no real but only nominal elements of space and time . But it takes very little meditation on the nature of pitch and hue to see that once we ...
Pagina 155
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
... become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out in his medium . The feeling is not ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words