Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 20
It may become individualized in its felt character as a strong , powerful tree , or a torn , broken tree , or a tree ... in the concrete feeling of the given sensuous structure that becomes the object of complete ästhetic response .
It may become individualized in its felt character as a strong , powerful tree , or a torn , broken tree , or a tree ... in the concrete feeling of the given sensuous structure that becomes the object of complete ästhetic response .
Pagina 54
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
We have used mathematical and geometrical abstractions so much that the elements among which these abstract relations subsist have literally vanished , as points have become by definition the vanishing points of lines , and lines the ...
Pagina 155
... consciously requiring this embodiment to become completely and intelligibly any feeling at all , to become the intended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out ...
... consciously requiring this embodiment to become completely and intelligibly any feeling at all , to become the intended full feeling only suggested in the artist's processes of experience and not defined until he has worked it out ...
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole