Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 89
... body has any determinate characteristics at all . Long arms are long only in relation to the body ; but they are long also in proportion to any body only by virtue of the relation of the length of human arms in general to the height of ...
... body has any determinate characteristics at all . Long arms are long only in relation to the body ; but they are long also in proportion to any body only by virtue of the relation of the length of human arms in general to the height of ...
Pagina 90
... body , but abstracted from many bodies seen . It is a formulated pattern by virtue of which any human body is apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own degrees of ...
... body , but abstracted from many bodies seen . It is a formulated pattern by virtue of which any human body is apprehended as a familiar — that is , intelligible — spatial form , and any work of sculpture as having its own degrees of ...
Pagina 190
... body as its dominant theme . Most of us nowadays do not see the human body regularly as part of our surroundings , unless we live at the seashore and spend most of our hours on the beach . And we have only recently emerged from a P dark ...
... body as its dominant theme . Most of us nowadays do not see the human body regularly as part of our surroundings , unless we live at the seashore and spend most of our hours on the beach . And we have only recently emerged from a P dark ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words