Esthetic Analysis |
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Pagina 89
And so particularly of the human body . Artists , fascinated by this shape for a thousand reasons , began by copying some of its most obvious outlines . In Egypt the human body was taken as a strictly canonical pattern from which no ...
And so particularly of the human body . Artists , fascinated by this shape for a thousand reasons , began by copying some of its most obvious outlines . In Egypt the human body was taken as a strictly canonical pattern from which no ...
Pagina 90
For all of us a familiar pattern of the body grows up in our minds and imaginations ; and it is only in relation to this pattern that there could possibly be any definite meaning in any descriptive term that would express what we see ...
For all of us a familiar pattern of the body grows up in our minds and imaginations ; and it is only in relation to this pattern that there could possibly be any definite meaning in any descriptive term that would express what we see ...
Pagina 191
dark period , which obscured the body not merely by covering it from physical sight with clothing , but also by erecting a thick screen of fantastically perverse moral sentiment , which averted from it the eyes of the mind as well ...
dark period , which obscured the body not merely by covering it from physical sight with clothing , but also by erecting a thick screen of fantastically perverse moral sentiment , which averted from it the eyes of the mind as well ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole