Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 115
... character more plausibly applicable to the whole concrete character of verse itself . In fact the attempt is all too often to be descriptive in terms suggesting an effect like that of verse , terms with large significance and broad emo ...
... character more plausibly applicable to the whole concrete character of verse itself . In fact the attempt is all too often to be descriptive in terms suggesting an effect like that of verse , terms with large significance and broad emo ...
Pagina 143
... character . Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no ...
... character . Hence its emo- tional character , its feeling , that is , the way it feels to us , is no less genuinely " objective " than its colors or its sounds , its shapes , its hardness , its presented spread and size ; hence also no ...
Pagina 192
... character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres ...
... character . And without such character they are ob- viously not the particular features of the form actually to be discerned . This discernment of spatial form and proportion goes only a little way towards the apprehension of the expres ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words