Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 17
... characteristic . And if sounds could not be relied on to have pitches , lying all of them at fixed points in the long line of pitch itself , there would be no way of following one sound by another in time and still having a distinct ...
... characteristic . And if sounds could not be relied on to have pitches , lying all of them at fixed points in the long line of pitch itself , there would be no way of following one sound by another in time and still having a distinct ...
Pagina 51
... characteristic , variations in hue are no more sig- nificant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
... characteristic , variations in hue are no more sig- nificant for color composition , no more characteristic of color design , than variations of saturation or of brightness . The order of the hues is cyclical , too , while the orders of ...
Pagina 102
... characteristic that accompanies this strictly tem- poral pattern as actually presented will at once be evident . If there are measures of duration marked off from one an- other at the end points , then our attention will be concen ...
... characteristic that accompanies this strictly tem- poral pattern as actually presented will at once be evident . If there are measures of duration marked off from one an- other at the end points , then our attention will be concen ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words