Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 16
... clear from this one sketchy example , where even our terms , such as full red , are used without clear definition , that colors do lie in ordered ranges , where we can speak of their qualitative dis- tances from one another . Out of ...
... clear from this one sketchy example , where even our terms , such as full red , are used without clear definition , that colors do lie in ordered ranges , where we can speak of their qualitative dis- tances from one another . Out of ...
Pagina 52
... clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and rhythm may enter into melody as distinctly as pitch itself , though a definite rhythmic beat may be ...
... clear , though ob- viously not at all adequate . As colors are spread over sur- faces , so notes are extended through time , and rhythm may enter into melody as distinctly as pitch itself , though a definite rhythmic beat may be ...
Pagina 101
... clearly . A slow dance is in just as well defined a measure as a quick one , and in just as clear a pattern . Only the limits of fineness in our nervous mus- cular adjustments prevent much greater speed , and only the limits of our span ...
... clearly . A slow dance is in just as well defined a measure as a quick one , and in just as clear a pattern . Only the limits of fineness in our nervous mus- cular adjustments prevent much greater speed , and only the limits of our span ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words