AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 2
matter in any theory that is to be applicable to anything , rests on some clear point
of reference to data that we can actually indicate . Pure science is so called
because of the high degree of abstraction involved in it ; the perfectly pure and ...
matter in any theory that is to be applicable to anything , rests on some clear point
of reference to data that we can actually indicate . Pure science is so called
because of the high degree of abstraction involved in it ; the perfectly pure and ...
Pagina 16
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
But it must be clear from this one sketchy example , where even our terms , such
as full red , are used without clear definition , that colors do lie in ordered ranges ,
where we can speak of their qualitative distances from one another . Out of this ...
Pagina 52
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
The parallel with music is still clear , though obviously not at all adequate . As
colors are spread over surfaces , so notes are extended through time , and
rhythm may enter into melody as distinctly as pitch itself , though a definite
rhythmic beat ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole