Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 44
... concrete structural complexes , and that æsthetic understanding is grasping the nature of these , as con- stituted ... concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these which are ...
... concrete structural complexes , and that æsthetic understanding is grasping the nature of these , as con- stituted ... concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these which are ...
Pagina 53
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface can not remain merely ...
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface can not remain merely ...
Pagina 147
... concrete feeling and æsthetic objects are concrete wholes . An experience is æsthetic just so far as it is the full felt response to what is directly given ( though given only condition that there is the specific response as one of its ...
... concrete feeling and æsthetic objects are concrete wholes . An experience is æsthetic just so far as it is the full felt response to what is directly given ( though given only condition that there is the specific response as one of its ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words