Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 9
... conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object . When the heightening is emphatic ; when the aim of the experiencing activity is felt to be achieved in a vital process of receiv ...
... conscious or semi - conscious into what is distinguish- able as a qualitatively individualized object . When the heightening is emphatic ; when the aim of the experiencing activity is felt to be achieved in a vital process of receiv ...
Pagina 40
... consciously present . They have disappeared into physiological structures and habits of action . The expert , whether in mechanical operations or in mathematical investigations , can not keep his knowl- edge present in conscious content ...
... consciously present . They have disappeared into physiological structures and habits of action . The expert , whether in mechanical operations or in mathematical investigations , can not keep his knowl- edge present in conscious content ...
Pagina 62
... consciousness of what language the question was in , or reads a page and gets exactly its sense without being conscious of the words themselves or the sentences . Finally , what is intelligibly grasped may be totally describable in the ...
... consciousness of what language the question was in , or reads a page and gets exactly its sense without being conscious of the words themselves or the sentences . Finally , what is intelligibly grasped may be totally describable in the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words