Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 45
Pagina 58
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
... constitute the genuine sensuous structure that the symphony actually is . But if the whole were not con- sciously felt , our perfected æsthetic knowledge would be knowledge of nothing ; it would achieve the ideal of ab- stract science ...
Pagina 155
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
... constitute single apprehensible and exciting presentations of feeling , consciously requiring this embodiment to become com- pletely and intelligibly any feeling at all , to become the in- tended full feeling only suggested in the ...
Pagina 165
... constitute , their peculiar functioning in any given case in combinations only explicable and apprehensible in the light of the whole that they constitute . Analysis accom- plishes its purpose in æsthetics only as all that it describes ...
... constitute , their peculiar functioning in any given case in combinations only explicable and apprehensible in the light of the whole that they constitute . Analysis accom- plishes its purpose in æsthetics only as all that it describes ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words