AEsthetic Analysis |
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Risultati 1-3 di 31
Pagina 77
And of course these elements remain also in the order intrinsic to that continuum
itself , and thus constitute a very limited series selected from , and lying within ,
another series . Every note in a piece of music written in a key — and keys are ...
And of course these elements remain also in the order intrinsic to that continuum
itself , and thus constitute a very limited series selected from , and lying within ,
another series . Every note in a piece of music written in a key — and keys are ...
Pagina 155
On the other hand , they are intricate and coherent complexes of ęsthetic
elements so patterned as to constitute single apprehensible and exciting
presentations of feeling , consciously requiring this embodiment to become
completely and ...
On the other hand , they are intricate and coherent complexes of ęsthetic
elements so patterned as to constitute single apprehensible and exciting
presentations of feeling , consciously requiring this embodiment to become
completely and ...
Pagina 165
But art requires also the discernment by artists and by those who are to
apprehend their works , of the specific functioning of these in the particular whole
which they constitute , their peculiar functioning in any given case in
combinations only ...
But art requires also the discernment by artists and by those who are to
apprehend their works , of the specific functioning of these in the particular whole
which they constitute , their peculiar functioning in any given case in
combinations only ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole