Esthetic Analysis |
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Pagina 122
It seems fairly accurate to say that normal English pronunciation fits the word into three counts , one for the first syllable , two for the second . Not that sions is necessarily held out quite so long as this , but that one does not ...
It seems fairly accurate to say that normal English pronunciation fits the word into three counts , one for the first syllable , two for the second . Not that sions is necessarily held out quite so long as this , but that one does not ...
Pagina 125
As to the count of three instead of two in the first level of the grouping of beats in English , any example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of ...
As to the count of three instead of two in the first level of the grouping of beats in English , any example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of ...
Pagina 131
once that the shorter lines are shorter only in the number of counts that are filled with the sounds of syllables , not in the measured time that elapses before one goes on to the next line . The temporal pattern , fairly obviously ...
once that the shorter lines are shorter only in the number of counts that are filled with the sounds of syllables , not in the measured time that elapses before one goes on to the next line . The temporal pattern , fairly obviously ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole