Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 122
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
... counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is required ; and the reason for our not being explicitly and formally familiar with ...
Pagina 125
... count of three instead of two in the first level of the grouping of beats in English , any example of the consistent ... counts in a blank verse line is marked by a heavy accent , any more than every whole measure is , either in music or ...
... count of three instead of two in the first level of the grouping of beats in English , any example of the consistent ... counts in a blank verse line is marked by a heavy accent , any more than every whole measure is , either in music or ...
Pagina 131
... counts that are filled with the sounds of syllables , not in the measured time that elapses before one goes on to the next line . The temporal pattern , fairly obviously , is of two measures to the printed line , the division indicated ...
... counts that are filled with the sounds of syllables , not in the measured time that elapses before one goes on to the next line . The temporal pattern , fairly obviously , is of two measures to the printed line , the division indicated ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words