Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 27
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
... course choose some data to abstract from and to analyse , before we can articulate the principles of this choice . But if æsthetics is one of the broad regions of human experience , and not an esoteric cult , then a selec- tion of data ...
Pagina 88
... course , about the many other of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and to ...
... course , about the many other of spatial structure , nor about the scores of analogical and thoroughly muddled applications of the terms balance and symmetry and rhythm to temporal and qualitative structures and relations , and to ...
Pagina 197
... course extremes of irrelevance . We have at the opposite extreme such relevant analyses as Mr. Tovey's of musical works and Mr. Barnes's of French painting , though these are at such high levels of both learning and taste that for most ...
... course extremes of irrelevance . We have at the opposite extreme such relevant analyses as Mr. Tovey's of musical works and Mr. Barnes's of French painting , though these are at such high levels of both learning and taste that for most ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words