Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 104
... crete poetry as actually pronounced uses a great many means to its ends , combined in an enormous variety of subtle ways . But we shall do little towards understanding this full structure until we distinguish some of its simpler 104 ...
... crete poetry as actually pronounced uses a great many means to its ends , combined in an enormous variety of subtle ways . But we shall do little towards understanding this full structure until we distinguish some of its simpler 104 ...
Pagina 134
... its basis is so simple and obvious as to be uninstructive and , in actual application to the con- crete compositions of the arts , irrelevant and useless . T CHAPTER V RELEVANCE IN ÆSTHETIC ANALYSIS : EXPRESSED FEELING 134 ÆSTHETIC ...
... its basis is so simple and obvious as to be uninstructive and , in actual application to the con- crete compositions of the arts , irrelevant and useless . T CHAPTER V RELEVANCE IN ÆSTHETIC ANALYSIS : EXPRESSED FEELING 134 ÆSTHETIC ...
Pagina 143
... crete character , on the other hand , is more or less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral ...
... crete character , on the other hand , is more or less interesting to us , hence more or less objectionable or acceptable , liked or disliked . That is to say , the response to it is to some degree emotional . As our response is integral ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words