Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 170
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
... criticism so char- acteristically falls . Not that criticism is as such useless , but that value judgments , if they are to be made at all , are not æsthetic understanding , and are irrelevant unless they follow such understanding . The ...
Pagina 185
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
... criticism . What it purports to criticize has perhaps not even been discerned . The critic has thought of and mentioned features that are not present in it , and he has also thought of a structural pattern that it does not fit , and ...
Pagina 202
... critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the history of criticism , when they are not formal structural characteristics but distinguishable qualitative ...
... critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the history of criticism , when they are not formal structural characteristics but distinguishable qualitative ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words