AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 70
but as Subdominant of the Dominant , and Dominant of the Subdominant . And
we should expect this of course , since it was the relation of the Dominant to the
Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is
thus ...
but as Subdominant of the Dominant , and Dominant of the Subdominant . And
we should expect this of course , since it was the relation of the Dominant to the
Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is
thus ...
Pagina 151
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
But in fact love , without a material object present at least in imagination to define
it , is not love at all , but solely bodily ... And as there is no clearly defined present
object felt , so there is no clearly defined single feeling experienced , but a ...
Pagina 186
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there ... and no determinate feeling can possibly
be defined in the general terms naming the general characteristics of all plays .
If it is objected that to be a play at all requires fulfilling the definition of a play , the
answer is in the first place that if there ... and no determinate feeling can possibly
be defined in the general terms naming the general characteristics of all plays .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole