Esthetic Analysis |
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Risultati 1-3 di 52
Pagina 70
And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is thus central . It is the note to which the Octave , the Dominant ...
And we should expect this of course , since it was the relation of the Dominant to the Tonic that defined the interval from the Tonic to the Subdominant . The Tonic is thus central . It is the note to which the Octave , the Dominant ...
Pagina 151
But in fact love , without a material object present at least in imagination to define it , is not love at all , but solely ... And as there is no clearly defined present . object felt , so there is no clearly defined single feeling ...
But in fact love , without a material object present at least in imagination to define it , is not love at all , but solely ... And as there is no clearly defined present . object felt , so there is no clearly defined single feeling ...
Pagina 186
If it is objected that to be a play at all requires fulfilling the definition of a play , the answer is in the ... and no determinate feeling can possibly be defined in the general terms naming the general characteristics of all plays .
If it is objected that to be a play at all requires fulfilling the definition of a play , the answer is in the ... and no determinate feeling can possibly be defined in the general terms naming the general characteristics of all plays .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole