Esthetic Analysis |
Dall'interno del libro
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Pagina 4
Ęsthetically unsatisfactory is not a mere phrase , but a phrase clearly applicable , and not unfamiliarly applied , its meaning definitely known . Since beauty does not include the ęsthetically unsatisfactory , it is plain enough that ...
Ęsthetically unsatisfactory is not a mere phrase , but a phrase clearly applicable , and not unfamiliarly applied , its meaning definitely known . Since beauty does not include the ęsthetically unsatisfactory , it is plain enough that ...
Pagina 80
Such directional movement without definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of ...
Such directional movement without definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of ...
Pagina 157
And we apprehend its offensiveness as directly and simply , and usually much more definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in ...
And we apprehend its offensiveness as directly and simply , and usually much more definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole