Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 4
... definitely known . Since beauty does not in- clude the aesthetically unsatisfactory , it is plain enough that æsthetics , conventionally and regularly , usefully and soundly , covers a field of which beauty is only one limited , if ...
... definitely known . Since beauty does not in- clude the aesthetically unsatisfactory , it is plain enough that æsthetics , conventionally and regularly , usefully and soundly , covers a field of which beauty is only one limited , if ...
Pagina 80
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
... definitely fixed and clearly felt intervals is much more characteristic in the spreading of color over an area than in the spreading of sounds through time . And although there is an enormous number of possibilities for color contrasts ...
Pagina 157
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
... definitely , than its exact shape and the details of color that mark , say , its dilapidation . Some of these formal details we must have apprehended in it , how- ever , if we apprehend the dilapidation at all . And unless we have ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words