Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 5
... degree . For those of you who have never experience GE employment , they are extremely degree focused . What it meant was that my friend was locked into his job unless he went back to school . We spent some time looking at his credits ...
... degree . For those of you who have never experience GE employment , they are extremely degree focused . What it meant was that my friend was locked into his job unless he went back to school . We spent some time looking at his credits ...
Pagina 8
... degree quantifiers, is that degrees are inherentlyordered.Everydegreecarriesinformationabouthowitisrelatedtoother degrees. Concretely, Cresswell (1976) defines 'degree' as a pair consisting of a coordinateuandanorderingrelation>.2F ...
... degree quantifiers, is that degrees are inherentlyordered.Everydegreecarriesinformationabouthowitisrelatedtoother degrees. Concretely, Cresswell (1976) defines 'degree' as a pair consisting of a coordinateuandanorderingrelation>.2F ...
Pagina 15
... degree for all degrees out through degree 50. A power law of 13x105 / F for coefficients of degree I ( Balmino et al . , 1982 ) was employed for the gravity signal . The sensitivity was considered significant when the velocity ...
... degree for all degrees out through degree 50. A power law of 13x105 / F for coefficients of degree I ( Balmino et al . , 1982 ) was employed for the gravity signal . The sensitivity was considered significant when the velocity ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words