Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 151
... determinate content for the feeling called love until the object of love is included as one term present and playing its part in the conditioning process upon which consciously present content supervenes . Then what was vaguely felt ...
... determinate content for the feeling called love until the object of love is included as one term present and playing its part in the conditioning process upon which consciously present content supervenes . Then what was vaguely felt ...
Pagina 153
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
... determinate ob- jective presentations directly apprehended . Without being directed upon specific , determinate structures , feelings re- main too vague to be said to have character or definition ; and most of our names for emotions are ...
Pagina 186
... determinate feeling that is its own peculiar being ; and no determinate feeling can possibly be defined in the general terms naming the general charac- teristics of all plays . In the third place , such general terms taken together make ...
... determinate feeling that is its own peculiar being ; and no determinate feeling can possibly be defined in the general terms naming the general charac- teristics of all plays . In the third place , such general terms taken together make ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words