Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 6
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than thus directly felt . Once we go ...
... directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than thus directly felt . Once we go ...
Pagina 13
... directly to natural science . To study color we turn to measuring light ; to study sound we count vibrations and trace wave forms . And none of this deals directly with . the very material that we are acquainted with and wish to be more ...
... directly to natural science . To study color we turn to measuring light ; to study sound we count vibrations and trace wave forms . And none of this deals directly with . the very material that we are acquainted with and wish to be more ...
Pagina 18
... directly and that would allow the sort of qualitative structure that we have been suggest- ing . For any two variations in color , for example , we can find a variation half way between , or a variation twice as far from one of them as ...
... directly and that would allow the sort of qualitative structure that we have been suggest- ing . For any two variations in color , for example , we can find a variation half way between , or a variation twice as far from one of them as ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words