Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 6
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Ęsthetic surface is concretely had , directly and fully experienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is ęsthetic content , it is not more than ...
Pagina 13
And none of this deals directly with the very material that we are acquainted with and wish to be more fully acquainted with . It deals instead with physical conditions , processes that condition the occurrence and the changes in sound ...
And none of this deals directly with the very material that we are acquainted with and wish to be more fully acquainted with . It deals instead with physical conditions , processes that condition the occurrence and the changes in sound ...
Pagina 18
... though it is equally true that they vary , it is not true that they offer these variations in any order that we recognize directly and that would allow the sort of qualitative structure that we have been suggesting .
... though it is equally true that they vary , it is not true that they offer these variations in any order that we recognize directly and that would allow the sort of qualitative structure that we have been suggesting .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole