Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 64
... discerned by Pythagoras . It was not fully completed and thoroughly grasped until the seventeenth century ; and it remained for Bach at the be- ginning of the next century to exploit it to the full and thus to standardize the basis of ...
... discerned by Pythagoras . It was not fully completed and thoroughly grasped until the seventeenth century ; and it remained for Bach at the be- ginning of the next century to exploit it to the full and thus to standardize the basis of ...
Pagina 76
... discerned in nature as an aspect of sounds physically produced , a scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations ...
... discerned in nature as an aspect of sounds physically produced , a scheme of intervals defined for us in the very nature of musical sound , but abstracted from this concrete objective presence to sense in a scheme of abstract relations ...
Pagina 202
... discerned in other works of art as exhibited in various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has ...
... discerned in other works of art as exhibited in various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words