Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 15
... distinct from spatial structures , we need only exhibit two different color struc- tures which are spatially the same and which are themselves complexes of color relations . The difference between the two structures will thus be a ...
... distinct from spatial structures , we need only exhibit two different color struc- tures which are spatially the same and which are themselves complexes of color relations . The difference between the two structures will thus be a ...
Pagina 57
... distinct experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the ...
... distinct experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the ...
Pagina 211
... distinct from qualitative , 138 Summary sketch of earlier chapters , 135-139 Symmetry , mis - use of the term , 87 Taste , relativity of , 175 , 182 Tastes and smells , 18 , 47 Technique , 160 , 184 , 197 , 204 Temporal elements , 84 ...
... distinct from qualitative , 138 Summary sketch of earlier chapters , 135-139 Symmetry , mis - use of the term , 87 Taste , relativity of , 175 , 182 Tastes and smells , 18 , 47 Technique , 160 , 184 , 197 , 204 Temporal elements , 84 ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words