Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 52
... distinguished from its one - dimensional extension in time , is greater than the rela- tive emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the quali ...
... distinguished from its one - dimensional extension in time , is greater than the rela- tive emphasis on color as such as distinguished from spatial design in painting . In both cases , however , it is clear not only that the quali ...
Pagina 57
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
... distinguished from anything else , as distinguished from just everything all at once in one totality of confused awareness . Further abstraction is necessary to experience of any particular sort , nameable as æsthetic or not . Still ...
Pagina 207
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
... distinguished from the beautiful , 3 , 10 , 43 , from the fine arts , 4 , 26 , from language , 92 , 144 , 148 , 162 , from the practical , 6 , 142 , from physics and psy- chology , 10 , from the sciences generally , 173 , 196 ; rela ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words