AEsthetic Analysis |
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Risultati 1-3 di 18
Pagina 52
... it seems at least fair to say that the relative emphasis on the intrinsic nature of
sound in music as distinguished from its one - dimensional extension in time , is
greater than the relative emphasis on color as such as distinguished from spatial
...
... it seems at least fair to say that the relative emphasis on the intrinsic nature of
sound in music as distinguished from its one - dimensional extension in time , is
greater than the relative emphasis on color as such as distinguished from spatial
...
Pagina 57
Abstraction is necessary to distinet experience of anything as distinguished from
anything else , as distinguished from just everything all at once in one totality of
confused awareness . Further abstraction is necessary to experience of any ...
Abstraction is necessary to distinet experience of anything as distinguished from
anything else , as distinguished from just everything all at once in one totality of
confused awareness . Further abstraction is necessary to experience of any ...
Pagina 207
See also Qualitative Æsthetic experience , 8 , 57 , 147 , 163 ; confused with
theory , 92 Æsthetic response , 20 , 147 Æsthetic surface , 6 , 9 Æsthetics , its
subject matter , 2 , 9 , 26 , 172 , Ch . I ; its function , 169 ; distinguished from the
beautiful ...
See also Qualitative Æsthetic experience , 8 , 57 , 147 , 163 ; confused with
theory , 92 Æsthetic response , 20 , 147 Æsthetic surface , 6 , 9 Æsthetics , its
subject matter , 2 , 9 , 26 , 172 , Ch . I ; its function , 169 ; distinguished from the
beautiful ...
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Parole e frasi comuni
abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole