Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 99
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
... duration . For of course time runs on continuously , and there is always a supply of it to fill out a second duration immediately following a marked one . To some ears a duration of equal length is also de- fined preceding the first one ...
Pagina 102
... duration , and the number is unity . The pattern is then one , one , one , one , and so on without variation . But a characteristic that accompanies this strictly tem- poral pattern as actually presented will at once be evident . If ...
... duration , and the number is unity . The pattern is then one , one , one , one , and so on without variation . But a characteristic that accompanies this strictly tem- poral pattern as actually presented will at once be evident . If ...
Pagina 108
... duration of its funda- mental measure — since verse is one form of speech - is not of primary structural importance to its temporal pat- tern . While there has to be such a fixed measure , which is necessarily a specific duration , it ...
... duration of its funda- mental measure — since verse is one form of speech - is not of primary structural importance to its temporal pat- tern . While there has to be such a fixed measure , which is necessarily a specific duration , it ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words