Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 16
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
David Wight Prall. effect , but as analysed into the order of the color varia- tions . The difference between the two ... effects intended . This ordered variation , where the order is constituted by the single relation redder - than , is ...
Pagina 114
... effect comparable to the effect of the actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up . And the literary ...
... effect comparable to the effect of the actual verse itself , instead of analysing or in any sense explaining that effect in terms of such of its constituents as can be discerned , and as they actually go to make it up . And the literary ...
Pagina 169
... effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived structure ; as if , for example , we tried to relate the spatial elements of a Persian miniature in the ...
... effect , we insist on applying our analytical elements and relations and patterns as they might constitute some pre- conceived structure ; as if , for example , we tried to relate the spatial elements of a Persian miniature in the ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words