Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 66
Pagina 41
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
... elements and the kinds of relations native or possible to these elements in complexes . For elements not natively ordered by a relation of some sort will not make structures for us at all , nor will intrinsically related elements make ...
Pagina 42
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
... elements must lie in an order native to their very being , an order grasped by us as constituted by a relation . We call structures intelligible and feel that we know them in so far as we find them capable of analysis into such elements ...
Pagina 137
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
... elements in a series , all of whose elements lie in this single order . Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words