Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 9
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
... emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it is no more than the excitement of the attention that brings it to a focus . The concrete object of asthetic perception is just ...
Pagina 143
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
... emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its emotional character . Hence its emo ...
Pagina 176
... emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood influences of family , companions and ...
... emotional correlation . As we all know in these days , emotional possibilities and emotional clarity depend on a thousand details of individual development , from early infancy through the childhood influences of family , companions and ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words