Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 17
a a Any melody is an example of the dependence of structure upon native qualitative order in sensuous materials , a structure felt as having specific and even nameable character , only as the qualitative relation is grasped which is ...
a a Any melody is an example of the dependence of structure upon native qualitative order in sensuous materials , a structure felt as having specific and even nameable character , only as the qualitative relation is grasped which is ...
Pagina 18
For any two variations in color , for example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches .
For any two variations in color , for example , we can find a variation half way between , or a variation twice as far from one of them as from the other , along one of the serial ranges of color . And so of pitches .
Pagina 125
As to the count of three instead of two in the first level of the grouping of beats in English , any example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of ...
As to the count of three instead of two in the first level of the grouping of beats in English , any example of the consistent use of so - called trochaic measure will exhibit the characteristic un - English sound of a strict count of ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole