Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 25
But it can do this only by abstracting the elements and the fundamental relations first , and then exhibiting the structures as intelligible complexes of these elements in these relations . And it will be best no doubt , if what has ...
But it can do this only by abstracting the elements and the fundamental relations first , and then exhibiting the structures as intelligible complexes of these elements in these relations . And it will be best no doubt , if what has ...
Pagina 59
within spatio - temporal structure , so spatial and temporal configurations require for concrete exhibition qualitative content . The qualitative orders and the spatio - temporal orders are equally abstract , but they are clearly ...
within spatio - temporal structure , so spatial and temporal configurations require for concrete exhibition qualitative content . The qualitative orders and the spatio - temporal orders are equally abstract , but they are clearly ...
Pagina 137
Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
Hence their relation is itself related to all the other relations in the series , and , as concretely exhibited , becomes necessarily and for direct apprehension a constituent of a structure when any other such elements are selected and ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole