Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 6
... experience is directed upon data to serve further purposes , to go through or beyond the ap- pearances to something not immediately appearing ; ęsthetic experience rests upon what immediately appears . To put it a little differently ...
... experience is directed upon data to serve further purposes , to go through or beyond the ap- pearances to something not immediately appearing ; ęsthetic experience rests upon what immediately appears . To put it a little differently ...
Pagina 57
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
... experience at all , what Mr. Dewey calls experiences as distinguished from mere vague awareness or bare experience as continuous . And here he agrees with one of the great modern mathe- maticians who has said that the fundamental ...
Pagina 147
... experience is concrete feeling and ęsthetic objects are concrete wholes . An experience is ęsthetic just so far as it is the full felt response to what is directly given ( though given only condition that there is the specific response ...
... experience is concrete feeling and ęsthetic objects are concrete wholes . An experience is ęsthetic just so far as it is the full felt response to what is directly given ( though given only condition that there is the specific response ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic surface ęsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words