Esthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 127
But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead , of being directly expressive , though a little sweeter and tenderer ...
But to sing the song very much more slowly than the words would be spoken is the surest way to lose its own proper effect . That is , instead , of being directly expressive , though a little sweeter and tenderer ...
Pagina 165
The formal function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything cery ? a a in a concrete work of art is formal at one ...
The formal function itself of elements and patterns is modified by their expressive function ; for their expressive function cannot be exercised except formally . Everything cery ? a a in a concrete work of art is formal at one ...
Pagina 193
To feel the abnormally long bodies and faces of El า Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious ...
To feel the abnormally long bodies and faces of El า Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic emaciation or intense religious ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole