Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 127
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
Pagina 165
... expressive function ; for their expressive function cannot be exercised except formally . Everything comy in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
... expressive function ; for their expressive function cannot be exercised except formally . Everything comy in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
Pagina 193
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words