Esthetic AnalysisT.Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 64
... facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We can ...
... facts involved . But now that we know these facts in clear general outline , it becomes easy to see how , in the selection of the scale notes , human ears were guided by the nature of the physical conditions of sound production . We can ...
Pagina 170
... fact . And the fact in question , if it is relevant , is the critic's ade- quate grasp of the artist's own means within his own me- dium carried out in the light of his own intention to the unity of feeling that his work expresses ...
... fact . And the fact in question , if it is relevant , is the critic's ade- quate grasp of the artist's own means within his own me- dium carried out in the light of his own intention to the unity of feeling that his work expresses ...
Pagina 187
... fact seems rather to be that we distinguish our experiences in the first place by their marked differences from one another , not by an identical common character , and that the various contents experienced differ in widely varying ...
... fact seems rather to be that we distinguish our experiences in the first place by their marked differences from one another , not by an identical common character , and that the various contents experienced differ in widely varying ...
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic surface æsthetic theory apply apprehended artists asthetic attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant merely musical scale nature notes obvious octave one-two particular perception phatically physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words