Esthetic Analysis |
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Pagina 64
It is these familiar natural facts about the determinately timed vibration rates of physical things , and their correlations with higher and lower pitches in the sounds emitted , that have selected for us out of the continuum of pitch ...
It is these familiar natural facts about the determinately timed vibration rates of physical things , and their correlations with higher and lower pitches in the sounds emitted , that have selected for us out of the continuum of pitch ...
Pagina 170
The practice of criticism is valuable only as its judgments are records after the fact . And the fact in question , if it is relevant , is the critic's adequate grasp of the artist's own means within his own medium carried out in the ...
The practice of criticism is valuable only as its judgments are records after the fact . And the fact in question , if it is relevant , is the critic's adequate grasp of the artist's own means within his own medium carried out in the ...
Pagina 187
The fact seems rather to be that we distinguish our experiences in the first place by their marked differences from one another , not by an identical common character , and that the various contents experienced differ in widely varying ...
The fact seems rather to be that we distinguish our experiences in the first place by their marked differences from one another , not by an identical common character , and that the various contents experienced differ in widely varying ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole