Esthetic Analysis |
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Pagina 61
That is to say , we require some degree of familiar intimacy with our world ; and since we are human beings , it is humanly apprehensible perspectives that we demand in any case that is to be called knowledge .
That is to say , we require some degree of familiar intimacy with our world ; and since we are human beings , it is humanly apprehensible perspectives that we demand in any case that is to be called knowledge .
Pagina 86
... so far we lose the ęsthetic character of that which , before it became so familiar , took our attention in a response the object of which was clearly realized and emotionally felt ęsthetic surface , a fully present consummation .
... so far we lose the ęsthetic character of that which , before it became so familiar , took our attention in a response the object of which was clearly realized and emotionally felt ęsthetic surface , a fully present consummation .
Pagina 157
a all as strictly geometrical , while it is quite thoroughly apprehensible as the familiar shape of the human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and felt as these ...
a all as strictly geometrical , while it is quite thoroughly apprehensible as the familiar shape of the human body . The content , then , when we are presented with such shapes , natural or useful , is directly seen and felt as these ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field follow formal fully function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure suggested surface syllables systematic taken temporal pattern things tion Tonic variations various verse vibration whole
Informazioni bibliografiche
| Titolo | Esthetic Analysis |
| Autore | David Wight Prall |
| Editore | T.Y. Crowell, 1936 |
| Provenienza dell'originale | University of Minnesota |
| Digitalizzato | 13 giu 2011 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |